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The  Imaginary

Universe

Minna

Ford

Building in Ghent

Lino print

A black and white lino print of a close-up view of a building. Unnatural repetition, structure and rigidity in architecture.

(A) Minna Ford_Building in Ghent.jpg

This section of the exhibition explores our imagination of the surreal and the supernatural.

As humans we dream of the impossible and building an alternative world of our own. Through creating imaginary hybrids, mutating forms and fantastical spaces, art provides us a new passage into the unknown. Through the eyes of the artists, imagination physicalises.

Alternatively, artists have been inspired by everyday phenomenon to look at our world with fresh eyes, to estrange ourselves from the norm and accepted perspective. This section will make you rethink what you see and lead you through a journey of endless imaginations.

 
Soundscape Artist 
Lucia Affaticati

I have been a sound enthusiast since day one, but have only recently converted my passive listening into a  self-directed sound design. This project was ideal for me because I don’t regard music production as an expression of my personality, so my inspiration needs to come from outside. The visual stimuli provided here were great for visualising sounds in space and time: for this reason, I have kept my tracks minimal, so that the unspoken could smoothly yet unaggressively emerge. 

ASBESTOSLucia Affaticati
00:00 / 04:45

Anastasia Silina

(A)Anastasia Silina_Twilight .jpg

Twilight

Poster/collage    A3 page

This piece is titled twilight because it represents the boundary between light and dark, and between the "

natural and unnatural. I was mainly inspired by surrealism as well as how the natural and

manmade world coexist and intertwine.

Sabrina

Gao

Valentina Papú

Now I see

Pencil on paper

The merging of

different points of views

only widens your

perspective

Nightlife 

A3 Landscape/pen, marker, highlighter on paper

Back Massage

This piece depicts an engorged eye, simultaneously symbolic of a paranormal alien being. A fluorescent iris is reminiscent of sleepless nights and harrowing dreams, while dripping words are encased within. ‘Nightlife’ examines the chaotic, semiconscious experiences that many go through, where night becomes a juxtaposition of tranquil stillness and frightening thoughts. How do we go about our daily lives, having lived through a multitude of traumatic experiences in our sleep?

Dreams and nightmares provide the mental space for readjustment, allowing us to sift through our influx of new memories. Nevertheless, these experiences can morph into supernatural, murderous and uncanny stories in our unconsciousness, robbing us of quality sleep that so many already struggle to find time for. The words ‘then my limbs all froze, my eyes won’t close, and I can’t say no!!’ were taken from Billie Eilish’s single ‘bury a friend’.

(move your mouse to here to reveal artists' quotes)

Coco

Shi

(A)CoCo Shi_Dreaming in Neo Monastiri.jp

"

My installation piece was inspired by my excavation at the Neolithic site Koutroulou Magoula in Central Greece. My archaeological journey in Greece was not only accompanied by fulfilment from discovering artefacts but I also became immersed in nature: there were plants, snakes, lizards and beetles present at the settlement. The sculpture is a dedication to the clay figurines found on site which depict maternal figures. The archaeological investigation brought together modernity and history and the instillation recreates the excavation environment where workers and archaeologists discover remains of human culture through removing weeds and layers of nature.

"

Dreaming in Neo Monastiri

Sculpture

1.6kg, 49*26*16cm

Adeline

Tsui

Acid (incomplete)

Oil on stretched canvas

Surrealist reimagining of coral reef erosion. Unnatural interpretation of otherwise recognisable natural forms and textures.
 

(A)Gabriel Moshenska_Friends, face to fa

"

Cut and carved a walking stick for hiking in the mountains. When it broke I made these figures, carved on warm evenings and burned with matches. The knots and curves of the natural wood shape the figures; their faces and limbs follow different grains and ideas. When I cut myself carving I put a little blood in their mouths. When I play cards I rub their bellies for luck. 

"

(move your mouse on to the photo to reveal artists' quotes)

Gabriel Moshenska

Friends, face to face

Wood carving


 

Joy, clarity, and calm: sitting with good friends around a fire, eating and drinking, and chipping at a piece of wood with an axe and knife. 
 

Holly

Newman

Natural and Supernatural: Angels and Man

Oil paint

Teodora-

Maria

Biga

Movement in

colours

Acrylic on paper


 

This piece showcases

the fact that

the human body can take both natural and

unnatural forms.

Some aspects of the body present the regular proportions

yet some showcase a twitch, something that lies in the imagination of the artist.

The boundaries between what is natural and

what is unnatural are challenged and

eventually

broken.

 

Or was it all an invention
A vicious imaginary architecture
whose creator preferred
 An unstable failing Earth
To an evergreen enlightened heaven

 

No, it was not an invention. Together with the darkness, also the memory has come back. Sunrise and sunset and living beings that could wander outside the borders. The contrast between day and night. No City, but cities.
Wrapped up in a dim cloth, even the Vault enclosing the City has
become invisible. I could almost pretend it didn’t exist.

The more I look towards

the sky, the more I realise

I have been living

in a numbing limbo.
On one side the City,

on the other the Desert. 
Above me the Vault,

outside an air that I might not

be able to breath.
But also in this world without

darkness, my breath has

become too dry.
They said

it was better this way.

We said

it was better this way.

That it was

the only way to survive

after everything else

had collapsed. 
Separating ourselves from

everything else. 

 

I realise with anguish that

a few street lamps

start again to flash

 

Again
The light
creeps back
While I pray for
The dark to return 
For once I am aware
For once I am not dazzled 
Things cannot exist on their own
We were mistaken in picturing heaven

as a world where there is no darkness

 

 

 

Francesca Parrota

Where there is no darkness

The blackout resembles a fog much more than a lighting, 
steadily slowly sweetly street lamps begin to dim
they fade they pale for one last time
they glisten, a dying goodbye shine.
There, the light has vanished
and before the wonder
before the fear
I breath
relief

At the beginning, no-one

missed it. Darkness, I mean. 
We all got accustomed to be

blinded by the lights of

a never-ending midday. 
Didn’t its artificiality bother us?

No, not really.

Well, not immediately. 
And now, years have passed,

there am I, welcoming with

enthusiasm the dark. The truth

is I have been waiting for it.
Now the City seems almost

peaceful. 
Even the electronic clocks in

every street, the ones that

never sleep, 
even they have been

forced to rest. 
Those clocks: inventions

presented as a surrogate

of normality.
When everything changes,

you have to pretend that

nothing has changed.

Stars
A faint whitish glare
A far feeble flare
On top of a black blanket
Three lonely sparkles
Three longed lost spots
Connect the dots:
Orion’s belt

 

Orion’s belt. Why do I remember that name? Name of a past thing. 
Name hidden by time. Time. Since it has become forbidden

to turn off the lights, time itself seems to have changed its shape.

And I have been losing my orientation. They say a perpetual shine

helps to sharpen the sight, but mine is definitely fading,

together with my memory. 
What about before? Was there even a before? 

 

 


 

(left) Release

A4/Alcohol markers &

pen on paper


 

Blue Night  (middle)

A4/Alcohol markers & pen on paper 


 

(A)%5BPhoto%20Soc%5D%20Shreya%20Katwa_Pe

Erika

Notalianni

Both drawings

a part of a larger

'Butterfly'

series where

I am exploring the relationship between people and these beautiful animals, exploring butterflies as a motif for emotion and expression. The unnatural combination of these natural elements is fitting for the exhibition's theme in how we question what is considered 'natural' or 'unnatural'. Just as technology is technically created using natural resources yet is considered unnatural, why is the metamorphosis of elements of

nature within

the realms of fantasy considered just as

unreal?

 

Suzanne van Noordt

Lockdown in London

Mixed Media Collage

(A)[Photo Soc] Shreya Katwa_Perspective.

Shreya

Katwa

Perspective

"

I took this photo on an iPhone as I approached the island of Mauritius in December 2019. 

Through plane windows,

we experience the heavenly beauty of the natural world from a man-made, unnatural perspective.

"

(A)[Photo Soc] Stella Liu_Terraces.jpeg

"

I'm an Instagram photographer from China. I photograph the beautiful scenery I see on my travels.
I took this picture in the mountains of Yunnan, China. To reach this destination, it takes a three-hour drive on a mountain road. The people wear traditional clothes and the houses are very special. They live in peace with nature.

"

Terraces

Stella

Liu

(A)[Photo Soc] Danielle Sargeant_Skyscra

Skyscraper

Danielle

Sargeant

(A)[Photo_Soc]_Adèle_Delpech_de_Saint_

Survivor

Adele

Delpech

De

Saint Guilhem

(A)[Photo Soc] Thom Keen_Stuck in Revers

Stuck in Reverse

Thom

Keen

(move your mouse on to the photos to reveal more information)

Johara

Meyer

Plop

"As a geography student,

people and places

and especially

people in places

fascinate me.

Street photography gives me

an outlet to document this

in all its beauty,

impermanence,

and oddity.

"

Nestled between a forest of pine trees in Porto Selvaggio, Italy lies a small cove that is bustling with people.

I was so in awe of the beauty of this place that I wanted to document everything:

the carefree atmosphere, the splashing water, the laughing people.

Only when looking through my pictures later, I found this one.

To me, it encapsulates everything that

fascinated me

that day.

Florence

Buckley

Buildings in London

4*5*7"

I painted from photos I took of buildings in my spare time, walking around and exploring London.
 

Anna

Szalay

Castle in the distance

Oil paint

Although it might seem unnatural, the landscape's mysterious air is in fact due to the purple tint of the after-sunset light conditions from the original photo.

Illusional Iceberg

Oil paint

Jingjing

Wang

"

This comes from a glance out of

the window when me and my friends driving past an iceberg on the road in Iceland.

Peaceful mirror-like lake together with the fading dawn light makes it unforgettable to me.

The moss and rocks

on the bottom

seem moving

because of

the speed of car.

This is the natural scene that seems too

enthralling to be

natural for

me.

"

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