Senses
As humans we are self-aware and we experience the contact with the world though our body. As humans we might look distinct from each other: different skin colour, different body size, different ways of dress… Life drawings and studies of the body show us how difficult it is to capture the human form. At the same time, our body is linked with identity and how we define ourselves. But then… as humans we all share the same five senses, the same pain. This section asks us to explore our inner voice and what it really means to be human in the age of crisis and the Covid-19 challenge has reminded us of the qualities we all share and the compassion we have for each other.
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Anna
Szalay
From left to right: Lady in Red, Female Poses, Pose Progression, Bent, Reaching, Floral Portrait, Floral Couch
Bottom right: Lilac Nude 2
Drip. Drip. Drip.
I try and ignore the leaky faucet;
hold the razor with a firm grip.
Slide it against my soapy skin
to reveal what's underneath.
If 'beautiful woman' is my destination,
this is where I begin.
I see a red drop running down my leg
but I remain unfazed.
I am 14; Well into my journey now.
I'm used to seeing more blood on my worst days.
You see, I am not afraid
but I am frustrated.
My time is being wasted:
trying to be hairless in unreachable places.
I couldn't care less.
These strands don't phase me.
Weren't they meant
to grow with me?
'Stop acting like a boy!’
My grandma is tired of the pants I wear.
'You would look beautiful in a skirt, with your pretty, long hair.’
Don't just walk out the door, it's time you care!
Shiny legs look great
but I don't want to be his Venus.
Let my legs be:
dark, hairy and venous.
‘Blossom into a woman!’ they say,
‘But we choose how.
You unravel as we mould.
You do what we allow.’
It seems that my hair has multiple identities.
Wherever she goes, she's seen differently.
Feminine keratin on my scalp,
flirty lashes on my eyes,
mannish above my lips,
and 'Ew! so gross' on my thighs.
'You'll get used to it.
It's daily routine.’
So could you!
I am not obscene.
They shouldn't get to choose
which parts of me exist.
If you want me to be a woman,
accept what lies on and within.
5 years later
and I am still the same.
I still feel like a woman
and I still feel the shame.
I still can't wear skirts
without reaching for the blade.
And I still have better things to do with my time,
so, the pants are here to stay.
Your words were my adolescence.
I was censored and edited.
It's now time to unlearn;
embrace what I inherited.
Grow again: unlimited.
Untitled
Pen and Ink
A colourful portrait of a life model. The unnatural patterns and colours contrasted with the natural human body link this piece to the theme.
Hannah
Leigh
Fat Sue
69*12*50 cm
Hair
by Manasvini Moni
My Indian heritage and my interest in gender stereotypes are what lead me to venting my frustrations through poetry.
The poem questions how the value attached to something natural, like body hair, changes with the bodies they are found on and the cultural perception of those bodies.
Minna Ford
As a feminist I feel frustrated with the depiction of women's bodies in our society and the prevalence of the male-gaze. Female nudity is not always sexual or submissive.
Top: Golden Stigma
A5 / Mixed media collage
Made with a portrait of Madonna from a 1985 edition of playboy, a hand marbled background and gold paper recycled from an Easter egg! I'm interested in the taboo of female body hair despite it's very natural existence.
My Tears Dry on Their Own
A3 / Pen and Paint
This is a portrait an amazing life-model who played her own playlist while she posed and exuded the strong vibes from the music. Her self-representation felt more natural than a model being told what to do and how.
Contortion
Pen and Ink
A portrait of a contortionist life-model with added patterns. Her ability to move her body in such unique ways represents the natural / unnatural capabilities of the human body.
Three looks at man
Paint markers on sketchbook
Using unnatural colours and mediums to portray a natural form (nude man), each presenting a different mood and disposition.
Victoria
Ngai
Medical student whose favourite subject to paint/draw is the human face and figure.
Women
A3 / Acrylic
I wonder what the most unnatural feature of this painting is—the woman's lack of facial features, her graciously propped up arms, or the green backdrop that tells us nothing about the woman or her environment.
Daniela
Mendelevic
Not-the-Simpsons-themed Marcus
A4 / Posca paint markers
This piece is an unnatural interpretation of the most natural type of drawing - that of a raw, unedited human body. The wonderful life model Marcus is drawn in two primary colors: yellow and blue. The piece is done using Posca paint markers on a white sheet of paper.
Adeline
Tsui
Page 28
Black Pastel
Page 28 is a reference to the film ‘Portrait of a Lady on Fire’, which draws on the journey of intimacy that naturally grows between a sitter and an observer.
Resolve
Acrylic on plywood
An impression of a life model painted with violent knife strokes. I hoped to articulate the ever-changing and dynamic process of observation- and as part of that, how to distinguish foreground from background to establish an understanding of form. Painted from life.
Luisa
Dufrene
Handled
Ink print of a metal etch plate
Unbounded
The drawing aims to capture the natural body, femininity and identity as the model wants to be portrayed
Tiffany
Nasirian
Nude
A3 / Charcoal and Pastel
Nude is about the raw and delicate lines that make up the form of the female body. The strokes that shape our silhouette and etch our skin give hints about the details of our lives and the stress we feel over time.
Zoe
Andrews
Max
Livesey
Untitled
A4 / Gouache on paper
My work is concerned with the male body, with a view to questioning the nature of masculinity through the representation of the male form. With this watercolour I wanted to reinterpret the male body in a natural way, highlighting vulnerability and fragility in the male form, which are not often considered in traditional representations of the male body.
Tap for the NHS
165 * 135 cm / Oil painting
Thomas
Peach
No mother: woman and doll
A2 / Pencil
At first glance this piece appears reassuring: the most natural of scenes—a mother and child—rendered in a decidedly classical style. Upon closer inspection, the woman’s elevated and distanced gaze becomes apparent. The realisation that the babe she cradles is a doll force us to consider a more unsettling narrative.
Xiaoxi Ma
Where is
the Body?
About me
A medical student fascinated by the intersection of anatomy in science & art. I have always found the human body beautiful, especially when in motion or precarious equilibrium
Amy
Zhang
Human Strength
A2 / Charcoal on newsprint
This life drawing, although created very quickly with five very quick poses (two are squiggles and done in five and three seconds!), illustrates, I feel, the natural strength of our bodies and the beauty of line and spontaneous marks. For me personally, most of my favourite and most surprising life drawings are produced in the 'warm-up' sketches and activities.
Submission: Both Exhibition and publication
Suzanne Van Noordt
Print of skeleton man
I wanted to block-print a portrait because I always think the contrast is interesting in faces. It’s effectively trying to create a face by carving holes into it. Very literally so for this unnatural man.
Claudia
Liang
A Pointe in Time
A4
Sarah Lamb as Manon (ballet) performing a movement known as attitude croisée, forming precise lines whilst retaining a soft quality. Captured in time is an example of how beautiful, expressive and natural a movement appears, whilst the body’s bent into unnatural positions.
Inés
la Casta
Gaze
A5
The art piece is divided into three parts showing parts of a body (face, back and arm). The three parts come together in a special way as they are the consequence of a movement of the model as well as the movement of the gaze, the eyes of the person looking at the drawing.
The nudity of the drawing, emphasized by the remaining pencil touches and the simplicity of the basic black and white contrast, is a reflection of the model’s nudity. However, this is not a representation of a perfect or flawless skin, but rather of the muscle shapes that define the forms of the human body. The beauty of the human body has no limits and can be represented in infinite ways. These are three harmonious images of some parts of the human body.
Lydia
Popplewell
Robots Dont Sleep
A2